The father was aghast when his daughter announced she is getting married to a “morsing” artiste. He fumbled for words, “Morsing? Who is a morsing artiste? Does “morsing” mean he sings more, does he?” Daughter replied, “No! He is not a singer. He plays the musical instrument called morsing.”
Soon, the prospective son-in-law was summoned. He was immediately
ready to give a "live demonstration" to father-in-law. He took out his tiny
instrument- clasped it between his teeth like a tongue-cleaner. He held the tongue-cleaner with one hand and used the other hand to pluck it rhythmically. The
whole room was filled with reverberations of “toin-toin-toin!”
He started with Adi Taala and moved to Rupaka taala. He
grandly announced, “I am now going to play Jhampa taala”. “Jump a what?” father-in-law
asked, all confused. The young man answered, with the instrument still between
his teeth, “Jhampa taala, jhampa taala” loudly, as though father-in-law was
hard of hearing! Father-in-law was totally clueless. As far as he was concerned, it all sounded the
same- “toin-toin-toin” or at the most “tia-toin-tia-toin” for some variety. The
demonstration had no end in sight. Eventually, father-in-law stood up, all impatient,
“Can you play some known song? May be, the song "ek-do-teen" from the Hindi film Tezaab?" The young man was shocked- “Sir, morsing is a
percussion instrument! How can you play a song? This is not a naadaswaram!”
Father-in-law had other valid concerns. How will he
communicate to his friends about a “morsing son-in-law”? “Morsing? He is a North
Indian, like Ramsingh and Mansingh, is he?” his friend asked. “No, no! He plays
an instrument called morsing!” Finally, he asked his daughter, “Can he upgrade
his skills to something more marketable? He can take up "tabla" or may be, mridangam
or even ghatam! Why morsing of all things?”
Daughter was offended, “Father, he is an artiste! He is an
artiste! He did not choose the morsing. The morsing chose him!” There were
practical considerations that had to be voiced. Father asked, “Can he make a
living doing toin-toin-toin all the time?” The parental concern was genuine.
However, daughter walked off in a huff!
Morsing artistes face rejection all the time. They must be
built of sterner stuff to even pick up the instrument. Not just in pedestrian
circles, even in classical music circles, they are sort of...children of a lesser god! The typical
Carnatic music concert has a vocalist, a mrdangam artiste and a violinist.
Sometimes, a ghatam artiste is added for embellishment, and at times, a “kanjira”
player. And in the rarest of rare cases, the morsing finally finds a place.
During the concert, there are unwritten rules for the
morsing artiste alone. He cannot play all the time. He will be much too noisy
and will drown everyone with his din. He must keep it soft and play
intermittently. Towards the end of the musical piece, there is a quadrilateral
skirmish between the vocalist, the violinist, the ghatam and the mridangam
player. In that culmination sequence, the morsing artiste joins the collective
noise and brings the piece to a climactic finish! The rest of the time, he idles
away, seated behind the main artiste, alongside the tambura player, encouraging
the other artistes with shouts of “shabhash-shabash” and “baley-baley!” That’s part
of his job description.
When he was a mere slip of a boy, his inauguration concert,
the “arangetram”, was organized. The morsing boy should have been the cynosure of all eyes. After all, it was his concert. Surprisingly, the audience
forgot this fact. Once the concert was over, they made a beeline to congratulate
the vocalist. You can imagine the morsing artiste’s plight. Morsing is the
perennial “also ran” in the race, forever the “Sahadeva”, overshadowed by his
more illustrious brothers!
Moreover, each morning when he does his “riyaz”, his
neighbors have a complaint. Soon, his wife expresses her displeasure. “You
cannot wake up at 4 am and go toin-toin-toin! I cannot sleep, neither can I
stay at home. There is no respite- you are going toin-toin-toin all the time!
Have some mercy on us!”
When the music-troupe travels abroad, and performs before a
“foreign” audience, they find “morsing” the most exotic instrument they have
ever seen. They want to know whether it
is held between the teeth or between the nostrils. “This is so cool! We love the
morsing!” they squeal and take selfies with our man!
Every dog has his day…and eventually gets his due…even if he is...a morsing artiste!
ಭಲೇ ಭಲೇ... ಅಧ್ಭುತ ಕೃತಿ.
ReplyDeletethanks Preetham! I am glad we have google translate!!!
DeleteSerious. Funny. Sad. Real. All at once. Morsingists - that's what they are called. Children of a lesser God, truly. Very nicely put across, Shankar. 👍Probably makes a good topic for a B'wood movie too.
ReplyDeleteAh!! Many thanks!! I am thinking....if Bollywood were to do a movie on morsingists....how the plot will unfold...they will have to throw in song dance and fight sequences!! The finale will be the morsing and the vocalist having a tussle at the edge of a cliff!!!
DeleteNext up - Kanjira followed by Ghatam - among the most difficult drums to learn and play, yet like morsing, cannot be by themselves (solo). Upa pakkavadhyaya for a reason…https://www.newindianexpress.com/cities/bengaluru/2012/mar/08/their-tryst-with-classical-music-346914.html
ReplyDeleteSuper! The link in very interesting....to know how they played with all these upa pakkavaadyam. I didn't know we have a term called "upa pakka-vaadya" to refer to these instruments! We typically hear "pakka-vaadyam"....but this is good information to know there is further classification within them also!!!
DeleteThe status (or lack of it) of the Morsing is brilliantly, and poignantly addressed, Shankar. Except that in the concert where I am now sitting, the mridangam is so loud, Morsing is simply not heard at all!
ReplyDeleteThanks doc! I am imagining how the morsing got drowned by the mrdangam! It must have been really loud! Glad at least that they have the morsing. That itself is a rarity these days!
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